catherineldf: (Default)
Despite the headline, I'm not an expert. I have spoken with three book clubs so far in my writing career, and am scheduled for a fourth one later on this month. I don't know how many talks will make me an "expert" either, so there's no point on pinning me down on the topic.

But here's what I have learned so far. Book club talks are very different from readings or panels or signings. The main difference lies in the degree of investment that the attendees have made in your work as an author. As a reader ,you might go to an author reading or a signing or a panel because you know an author or because the topic interests you or because your friends are going. In theory, at least, you go to a book club which is hosting an author because you have read or are reading their book.
This translates to reader time, money and thought, all of which are invaluable to you, the author.

The following things have happened to me at book club appearances and will undoubtedly happen again, both to me and to other authors:
  • You will be called on perceived inconsistencies in your book (my advice is to own them or at least say that you'll take a look at them again. Nothing's perfect and you look silly/wrong if you claim otherwise)
  • Someone will have read your book and not liked it much, but feels duty-bound to say something reasonably nice. My advice: take this in the spirit that it is offered. If you're polite and accepting about the response, the reader may well give one of your other books a chance because you're not an ass.
  • Someone in the group will have read your book, liked it, and  have a completely different interpretation of it than you do. My advice: be happy! You inspired someone to really think about your work.
  • Everyone will want to know what you're doing next so come prepared to talk about upcoming projects.
  • Someone will ask why you made the choices you made in Chapter 12 or equivalent. My advice, especially if it's been awhile since you looked at the book, look it over in some detail beforehand. It cuts down on author flailing and "I did what?" type of discussions.
  • Conversations wander. It won't be all about YOU. Roll with it and participate if you can.
  • Be courteous and friendly to the best of your ability. Offer to sign books, hang out afterwards, etc.
Remember that the point is to get readers engaged with you and your work. Being invited to appear at a book club is a huge compliment to any author. Take it as such.

That said, I've had a fabulous time at the book clubs I've been invited to thus far, and would be happy to participate in more. Just saying. :-
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catherineldf: (Default)
Since there's already been a beyond. Contrary to some rumors, even I am crispy after a vigorous convention weekend and speaking to a book group, so this will be a shortish con/book club write up. :-)

It was a grand time all around. Friday, I got to Marscon just in time to hear Bryan Thao Worra and Saymoukda Duangphouxay Vongsay's first panel on monsters and lore of Laos. This was great fun and I am looking forward to Saymoukda's play, Kung Fu Zombies vs. Cannibals which will be performed by Theater Mu at the Southern Theater this coming October. It looks like all kinds of awesome. After dinner, we descended on the hotel restaurant with Bryan, Haddayr, Saymoukda, Michael and Sherry Merriam, and a bunch of other folks for a jolly dinner that actually ran through two shifts of people before we called it a night. Lively discussion about monsters, fandom, writerly promotion, art, and stuff. Rachel Gold and I went off to the Art Show, where I bought a fabulous pen from
Giingerwood and one of Rhea Ewing's prints. Then I called it an early night and went home afterwards.

Saturday, despite the cats deciding to rumble and mangle me in the process and needing to stop by the Post Office to sent my Con or Bust winner her books (in New Zealand), I managed to get to the con in time for our panel on Social Networking for Creatives. Overall, I think this could have done with more structure -  we had writers, comic artists and a costumer so I'm not sure we articulated some of the differences between what's more useful for selling your artwork versus promoting your books. I am looking forward to trying Hootsuite, however. People did mention getting some useful things out of it though and we're doing a second version at CONvergence if all works out so we've got time to iron some things out. After that, we went for a wander and a chat in miscellaneous groups. Eventually, I ended up in the bar, having tea with Eleanor Arnason, Ruth Berman and Rachel Gold, which was lovely and interesting. Then I caught part of Designing a Magical System panel before my reading. Shari, Haddayr, Dave, Naomi and  P.M.F. Johnson said interesting things even though the room was boiling hot, devoid of water and had a  noisy fan in it. Next up, Kim Long-Ewing, Kathryn Sullivan, Rachel Gold and I did a Broad Universe Rapidfire Reading to a small select crew who sweated it out with us. I enjoyed all the excerpts and look forward to hearing/reading more.

Dinner was back at the hotel restaurant, where things went sadly awry. 
Food did not arrive after an hour and repeated requests so Kim and Rachel went off to their panel dinnerless. We managed to get through our meals with some mishaps (and no water once we ran out, which seemed to be a theme). Bryan showed up in time to enjoy Rachel's soup, at least, though he's still speculating on the whereabouts of his iced tea. Matt, Bryan and I went up and found Shari, Steve and Sondra so we could go to their room to get changed for the parties. Steve read from a bizarre little book of Hodag stories from the 1920s while we sorted out tights and skirts and lacing or zipping each other into our corsets (alas, Matt, Bryan, Steve and their other male friend did not wear corsets or skirts). Rachel joined us and we went off to take the party floor by storm. This took the form of going to the Diversicon 21 party where I badgered people about registering for the con and doing programming (this went well). I chatted with Matt, Rachel, the redoubtable Anton, Scott Lohman and a bunch of other folks before Shari and I went back to the room, de-corseted and laid about in pjs and street clothes  and chatted. Eventually, I headed home and slept the sleep of the exhausted, but happy.

Sunday, it was back to the con for an 11AM panel on Depictions of Aging in SF/F with Ruth Berman, Kathryn Sullivan and Rebecca Marjesdatter. We had a fine time and got and gave some interesting suggestions. And we all agreed that more interesting older characters doing more things would be a welcome addition to the genre. Rebecca, Ruth and I went to lunch (back at the the hotel restaurant, where all was skittles and beer. No idea what happens in that kitchen of a Saturday night). We had a fun chat about sundry things before Rebecca went to her next panel and I went to go hear Bryan talk more about Laotian monsters. Then it was back downstairs for a quick tour of the Dealer's Room and the Using History in SF/F panel. David Schwartz, Ruth Berman, Doug Hulick and I discussed a wide-ranging series of topics related to research, writing and reading fantasy with historical components. And we coined the phrase "Writerly Jazz Hands" for holding one's hands out in front of one and typing on an imaginary keyboard (or manipulating marionette strings). This was a lot of fun and I look forward to doing something like this again at a future con. From there I headed home to cook dinner and get in a little down time before talking to the Portland Lesbian Book Salon.

This was a fun chat about things I'd done, books I written, and music to any author's ears, "When will the next werewolf book be out?" The answer to that is that it is in progress and I hope to have a good draft of it out to my beta readers in the nearish future (read: months, not weeks, alas). I had a lot of fun talking about conventions, archeaology and bits of my writing process with them. I also recommended some other authors' books.It made a lovely end to an excellent weekend. Now I'm off to stretch and get some sleep so I can do lots of day jobbery tomorrow.


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